But the project was rapidly put on the backburner because of the tedious process of programming the static and dynamic positioning of numerous sound objects. I felt that the variations provided good tonal material and that the somewhat repetitive nature of the compositions would lend itself to some form of deconstruction and various digital transformations. Rather than using arbitrary tones and noises to test the B-Format encoders, processors, and decoders, I thought of using solo organ works, variations on well-known Christian church melodies, that I recorded a year earlier for a CD release. It began in 2002 when I wanted to experiment with the University of York Ambisonic VST plug-ins ( 1, 2, 3). Les fruits du hasard was born partly out of curiosity and partly out of necessity. Toronto Electroacoustic Symposium 2010, August 4-7 2010, Artscape Wychwood Barns, Toronto, Canada.Ĭoncordia University, November 3, 2010, Montreal, Canada. Live computer performance on a 12 loudspeakers horizontal circular setup using 5th order horizontal encoding/decoding.Ģnd International Symposium on Ambisonics and Spherical Acoustics, May 6-7 2010, IRCAM, Paris, France. 2nd International Symposium on Ambisonics and Spherical Acoustics, IRCAM, Paris, France.Live computer performance on an eight loudspeakers horizontal square setup using 5th order horizontal encoding/decoding. AugToronto Electroacoustic Symposium 2010, Toronto, Canada.Live computer performance on a six loudspeakers horizontal circular setup using 5th order horizontal encoding/decoding. NovemStochastic processes for real time algorithmic composition, lecture, Concordia University, Montreal, Canada.NovemSonic Screens, concert, O', Milan, Italy.įile playback from a computer performance using 5th order horizontal encoding/decoding.The musical elements used in Les fruits du hasard are transformed recordings of solo organ works. ![]() The modular audio application Plogue Bidule is used for routing the audio signals and patching the SonicBirth-made plug-ins together. The tools used for the random B-Format encoding are developed with SonicBirth, an audio programming application that encapsulates its programming into Audio Unit and VST plug-ins. Les fruits du hasard is a musical project whose purpose is experimenting with stochastic processes as controller for Ambisonic B-Format encoding of mono and stereo sources.
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